Select Work, 2012 Edition
The Act of Creation
Lance Allen
If I were to build the perfect human
It must be, first and foremost, ugly,
Horrendous would be best;
For beauty corrupts the soul
With vanity and pride.
Actually, is skin really necessary?
Many are judged by its color
And all it really does is become burned
Beneath the sun.
Muscles, for what?
It doesn’t need them.
All they do is tear and deteriorate
And cramp and ache and throb
While giving others the authority
To suppress their weaker brethren.
Bones, now those are completely useless.
Bones can break and snap easily,
And they don’t decompose so well
Rotting in their graves.
Organs? Bah!
With all the viruses and cancers today
They might as well be gone.
Brains are especially dangerous;
They fuel all the world’s evil,
The seat of unhappiness, fear, and anger.
In fact, that leaves nothing at all.
Good.
This is how it’s supposed to be.
The Swing
Alyssa Gnadinger
Was it revenge?
My feet had been pressed to the wood,
Bearing down with childish indifference
To its age—and subsequent weakness.
The old wooden board was justified to send me
Sliding to the ground
After I’d trampled its dignity
With my muddied feet.
Maybe it was fear; maybe that’s why I’d trembled
After pressing my rope-blistered hands
To my lips
And finding my fingers wet with blood.
Or why my vision and thoughts had gone dark
While standing
And gazing out at the bare dirt where
I’d tasted the vengeance of its ancient, rope-secured seat.
In that moment the swing had been alive
And protested—finally—its numerous abuses.
The Heart of a City
Carrie Wohlschlegel
I can almost hear the rain
Patter on the pavement,
Blending into the sound of high-fashion shoes
That click away to some destination of utmost importance.
I can almost see the tall, red bus
Break, release, and open its doors,
Drowning out the many conversations
Conducted in a more proper tongue.
I can almost feel the cool air
Rush past my face
As I hurry to class, a five minute trek,
Causing my feet to ache from their excessive use.
I can almost see the sunset over the river,
Changing day to dusk.
Though the lighting is dimmed,
The city is anything but.
These sounds and sights form a constant,
Imperfect rhythm—the heartbeat of London.
They say home is where the heart is,
And though in my eager mind
This established city is not yet fully formed,
I can almost hear it, almost see and feel it,
And I know my heart is reaching out
For this new home I’m about to go to,
Whose pulse grows a little louder,
A little stronger, in my own heart every day.
Wildcat Rd.
Jackie Woolums
Set apart from the world
On this little gravel road
I’m hidden away
By dancing leaves
On swaying trees.
The sun shifts
Shade lifts and falls,
And I am alone but free.
The wind blows
Tousling my hair.
And days are spent
Without care.
Country roads
Carry me along,
The beaten path
I travel alone.
When I go back
To where I’ve been
I will think of the road
And soon visit again.
Gravel roads, they call out to me—
I will always long to be
Beneath the trees
Feeling that shady breeze.
House In Midway
Jackie Woolums
I see you often in my dreams
And try to remember your warmth.
Sometimes I think I hear you calling me,
But this old house echoes that I am alone.
I close my eyes and breathe deeply;
I smell your favorite gum on my breath.
All at once you seem to be here,
And I hear your old piano sing.
The song is familiar, and I hear your voice,
“Amazing grace how sweet the sound.”
If only it had been enough to save a wretch like me.
The old house again falls empty and silent.
As quickly as you came, you left.
So I sit alone on this old piano bench
In the doorway of your old house
And reminisce.